Orbit
A smooth circle around the subject at a fixed distance.
Best for hero reveals and property tours
Home › Shot types
The shot libraryPick the shots before we fly. Each move is mapped to what the drone does and what it is best used for, so you can build a shot list that fits the story you want to tell.
A working vocabulary for your shoot. Combine reveals, follows and top-downs into a sequence, or leave the shaping to us in the edit.
A smooth circle around the subject at a fixed distance.
Best for hero reveals and property toursA close orbit with a foreground element sweeping past, so the scene gains real depth.
Best for depth and dramatic revealsAn orbit that climbs or descends as it circles, wrapping around a tall structure.
Best for scale, towers and resort blocksA controlled pass through a gap such as an arch, pergola or palm canopy.
Best for dramatic entrancesThe camera eases backward from a detail until the surroundings fill the frame.
Best for endings and contextThe drone crosses a ridge or treeline, then tilts down to unveil the beach or site.
Best for big landscape revealsA clean vertical lift with the camera held level, like a crane on rails.
Best for monuments and a sense of heightThe camera skims a rooftop, deck or dune, then climbs away over it.
Best for openings and scene transitionsA straight-down view that turns pools, plots and wave lines into graphic patterns.
Best for geometry, layouts and mapsThe camera trails a moving subject at a steady distance.
Best for action and vehiclesThe camera flies parallel to a moving subject, with a foreground streaking past to sell the speed.
Best for runners, cars and boatsA slow, straight move in toward the subject that builds quiet tension.
Best for openers before a title or revealA rising move that sweeps along a coastline in one continuous arc.
Best for coastlines and establishing energyThe drone holds position and turns slowly across the view.
Best for establishing shots and surveying a siteThe subject fills the frame while the background sits close behind it, the look a long lens gives from the ground.
Best for portraits and subjects against a backdropShot as a tall, phone shaped frame from the outset rather than cropped out of a wide one afterwards.
Best for reels, Shorts and paid socialThe camera stays well back and holds the subject tight as they move, so nothing in the shot gives away a drone.
Best for unobtrusive coverage of peopleThe identical line and framing flown again later, so two moments cut together or compare directly.
Best for build progress and before and afterA reveal flown close to a building or treeline as the light goes, rather than backing off early.
Best for venues and property at blue hourThe shot climbs away and curls the horizon into a small sphere to close a sequence.
Best for reel endings and flourishesA clean pass over a lit venue or pool after sunset, without the noise a smaller sensor leaves behind.
Best for night venues and lit architectureSend the venue and the shots that catch your eye, and we will plan the flight around them.
That's all we need to quote. Every shoot is priced on location, hours and deliverables — you'll have a firm number the same day, not an estimate that moves later.
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